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Music CD details
Ioan 'Popicu' Pop and Ensemble
Romanian, Ukrainian and Jewish Music from Maramures -
Musique roumaine et ukrainienne de juive de Maramures
(ETHCD006)
Musicians:
Ioan Pop - guitar, voice, contra viola
Nicolae Pitis - voice, flute, dance
Dumitru Hirb - vioara
Ion Paul - vioara, voice, guitar
Ioan Covaci - vioara, voice
Ioan Petreus - doba, voice
Label - Ethnophonie, Romania
Released 2003
'Ioan Pop, nicknamed Popicu by his wife and close
relatives and friends, was born to a family of peasants in the Maramures
village of Poienile Izei, where Bela Bartok himself stopped once for his
ethnomusicological research (1913). As a child Popicu learned to play the
instruments in fashion then: tilinca (shepherd's pipe), cetera (fiddle),
bracia
(prepared alto), zongora (guitar) and doba (drum). He began to play as a
zongoras at parties and village Sunday dances, for his own pleasure but
also to save money to finish high school. Later he was hired as an
instrument player with the folk ensemble in Baia Mare, while continuing to
sing and play on Sundays at village dances (hori), weddings and other
parties in the village and region.
The categories of Maramures party music are few, but each of them is rich
in distinct songs. The hori are occasional, widely accessible lyrical
songs sung individually or in groups, with or without instrument
accompaniment, at almost any age and on any occasion. The zicali
(instrumental pieces) are performed by ceterasi on fiddles, guitars and
drums.
Each peasant house accommodates at least one of these instruments, ever
since ancient simple and twin pipes have been given up except by a few
solitary shepherds. The zicali de baut (for drinking) are instrumental
pieces during which people scan out loud lyrics
appropriate to their age and gender. The scanned lyrics are ironical,
funny, very dynamic. They are usually in the form of a dialogue between
the girls who confront the boys, or the women in friendly contest with the
men. The most common zicali de jucat (for dancing) are Barbatescul
(for men) and De invartit (for swirling). Barbatescul is a men's dance in
a circle, with a syncopated rhythm, during which the dancers shout dance
commands or humorous lyrics.
De invartit is a mixed, couple dance; it is very quick, and its tunes are
frequently improvised by ceterasi starting from preexistent
melodic-rhythmic formulae. The hollers of the men (women are never allowed
to holler during the dance) roll freely, apparently without any connection
to the percussive, rhythmic beat of the tunes. However, apart from
Romanians, Maramures is inhabited by Ukrainians, grouped in a few villages
in the north of the region. Their party music is not too different, yet
distinct from the Romanians'. The ceterasi know this music; it is only
natural, as they are often hired for their weddings, at which they perform
hori and invartite.'
GBP 9.97
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Ioan 'Popicu' Pop and Ensemble
Romanian, Ukrainian and Jewish
Music from Maramures -
Musique roumaine et ukrainienne de
juive de Maramures
(ETHCD006)
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