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Music CD details
'Gázsa' Istvan Papp
'Transylvanian Folk Music - Erdélyi Népzene'
(ABT004)
Musicians:
'Gázsa' Istvan Papp - violin
With the following musicians on various tracks:
Kati Panek - voice
Andras Berecz - voice
Zoltan Juhasz - flute
Laszlo Kelemen, Peter Arendas - 3-stringed viola
Zoltan Szalag, Robert Liber - double bass
Endre Liber - Cimbalom
Transylvanian Tanchaz with Gazsa and fellow
musicians joined by the renowned singer Katie Panek. On repeated listening
this CD release gives much pleasure!
'Transylvanian Folk Music at its best.'
Hardback book format, 28 pages of notes, photographs and graphics.
Lyrics in English and Hungarian.
GBP 10.79
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'Gazsa' Istvan Papp
'Transylvanian Folk Music
Erdélyi Népzene'
(ABT004)
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Review
and Comments on this CD
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Gázsa Istvan Papp
'Transylvanian Folk Music - Erdélyi Népzene'
Submitted by Erika Borsos
While waiting in line for “CSARDAS: Tango
of the East” performance to begin ... I explored the “souvenir”
table where “Csardas” CDs were being sold. I discovered several groups
of which I never heard: Tukros and Gázsa.
While trying to determine which was “the best” I conversed
with the salesperson (who was probably one of the producers of the
show). I mentioned owning a collection of 1980s Kallos recordings (Transylvanian) produced by Judit & Kalman Magyar which is my
“gold standard” for measuring Hungarian music. I settled on “Gázsa:
Transylvanian Folk Music” (Erdélyi Népzene) ABT 004 ... I was not
disappointed! It has since become ‘my favorite’ which (given my
predisposition to falling in love with almost every traditional Hungarian
CD I have ever bought) is saying something!
The nicely designed CD jacket has a blue-grey border of tulips which
frames a silhouette photo of Istvan Papp (nick-name Gázsa)
holding his violin ... in a pensive mood. The script-like writing on
the cover, initially very appealing, later detracts from one’s
ability to read the inside text. My Hungarian is a bit rusty, but the booklet
is highly worth the read: Gázsa reminisces about his musical education and the influences
which helped develop his authentic Mezőségi regional style of
playing. You get a first-hand glimpse (insider’s view) of the
”Tanc-haz” movement in Transylvania. You are provided with a
historical review of the roots of the movement and introduced to some of
the prominent names at the time. Gázsa and friends produce a historically authentic sound whose
songs hold messages of universal appeal.
The songs echo Hungarian history while celebrating her people and
their experiences, triumphant, bittersweet, and tragic: a song about
the poor soldier fighting for the Kaiser while he mourns the fact he
is separated from his lover; a song about a bird whose sounds express
the sorrow a young man feels when he cannot capture the attention of the young
lady whom he would like to court; the hope experienced by the gypsies
in the caravan, which wanders through forests during a lightening
rainstorm, looking for a fixed dwelling place where there is plenty of
bread and enough to drink; the young maiden sings of her loneliness
and sadness, failing to win the heart of her beloved young man: she
prays to God to provide her a coffin for refuge for her broken-heart; the
young man who is overcome with self-pity, while shackled and hand-cuffed:
he recalls his mother’s love and anticipates her lamenting and
broken heart after his death from hanging.
This CD will appeal to anyone who enjoys authentic Transylvanian
village music. It is even better if you understand the
Hungarian language and imagery. No matter what language you speak,
anyone who listens will be transported to another place and time and
be richer for
the experience.
Erika Borsos
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