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World Beat > Hungarian > Music CD details 'Uj Elo Nepzene 4
Volume 4 of 'Living Village Music Series' from The Dance House Guild, Hungary. GBP 10.79 |
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Customer Reviews: Reviewer: Erika B Vol. 4 Új Élő Népzene - Echoes in Time: Keeping Musical Traditions Alive Listening to Vol. 4 of this series is like hearing echoes in time where Hungarian culture is reverberating and resonating from the past to the present ... from the individual to the community ... from the musicians to us. From this CD a spectrum of complementary musical vistas emerges that are perhaps one hundred to one hundred fifty years old. It takes us back to a time when music was used to express emotions during both significant and everyday life events. Music also recorded personal, community (village/town) and political history. It was a way of communicating common concerns, life circumstances, personal feelings, and values held by the culture. All these are present on this CD. Volume 4 contains instrumental music, songs, and dances from northern Hungary (Nadas and Sarret, regions beyond the Tisza river), southern Hungary (past territories now located in Serbo-Croatia, possibly the area known as Slavonia), Transylvania (Bukovina and other regions), possibly both the Great Plain (Alfold) and Western Hungary (Transdanubia or Dunantuli, i.e. beyond the Danube). There is a notable absence of liner and cover notes which makes it difficult or impossible to determine the region from which some of the music originates. Despite this short-coming, the music on this CD is vibrant and highly enjoyable. Although most of the CD has its roots in Hungarian culture, there are several exceptions. Two examples are: Carrickfergus and Jigs (#6) which is Irish and Geampara (#7) which is either Bulgarian or Macedonian. They add an interesting counterpoint to an amalgamous and spicy blend of Hungarian traditional regional sounds. This CD clearly demonstrates the integrity of traditional Hungarian music and culture and how it is being kept alive by modern musicians. SUMMARY OF CONTENTS ON CD: On the whole this CD seems more adventurous than previous volumes in the series. The first recording is a lively bagpipe tune called "Ne Sirasd Gyöngykoszorúdat" ("Don't Weep for your Beaded Headdress", which could also mean, "Pearl Wreath or Crown"). It is played by the Magyar Dudazenekar (Hungarian Bagpipers). It is followed by the "Nádasmenti Keserves" ("Lament from Nadas") sung by András Berecz, accompanied by the music of Újstílus. This is similar to an autobiography in song. The singer reminisces about his life events in the Nadas region. The melody nicely fits the poetical lyrics. I am disappointed with the Tanchaz Egyesulet for omitting the liner notes, most especially for not including the words of this song in the notes in Hungarian and with an English translation. Previous volumes always included poignant hauntingly beautiful songs sung a capella, by a lone female voice in nearly perfect pitch, this CD has only one female singer, Katalin Juhász. She sings a lullaby, "Csíjja, Bújja" (#15) the last selection, very much like an ambient, meditative new age musical creation, which is totally in keeping with the spirit of the song, singing a baby to sleep. There are three very interesting and very different dances from Transylvania included on the CD. The first is "Bukovina tancok" (#3) which is played by Táltos. It is a merry set of melodies. The second is "Öreges és Cigánycsárdás" (#4) played by the Csík band. It is an upbeat, twirling enthusiastic csardas with Romanian violin embellishments. The third is "Vine Tancu din Ardeal" (#9) played by Kalamajka which has totally mesmerizing violin medleys and changing rhythms. Again, with regrets, the regions from which the last two dances are from are not mentioned. This is very disappointing as I would like to buy CDs on which this style of music is predominant. Amaro Suno (Roma) the gypsy band plays "Román Pergető" with high spirits and joviality. It is another Transylvanian piece from an unidentified region. The Tekerőzenekar (Hurdy Gurdy Band) plays "Vitézek az Végeknél" (#10) which is a proud, patriotic, historical piece, sung by a male chorus accompanied by the music of the tekero. A unique feature of this piece includes an improvisational clarinet solo which is often heard in Turkey, Macedonia, or Greece. It is totally an unexpected surprise which fits well into the theme of the song and complements the tekero music. Gereben (male solo) sings "A Sárrétjén Nevelkedtem" (#12) which is another autobiographical song about growing up and living in Sarret (northern Hungary). Here, too, the listener who does not speak or understand Hungarian can not grasp the nuances of meaning and emotion expressed in the song. Too bad there are no liner notes! It is possible something would be lost in the translation anyway. Last but not least, is "Alom" ("Dream") (#14) sung by Árpád Bakos with the music played by Ethnokor. It has an unusual melody which is most likely an example of the ancient Hungarian pentatonic scale. At first it seems off key but after a brief interval, one gets into the dreamy state the musicians intended, and you are enveloped into the story conveyed by the singer. My recommendation is: buy this one if you are attracted to Hungarian music ... you will not be sorry! |
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