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Music CD details
Kerekes Ensemble
'Hungarian Folk Music
from Gyimes and Moldva'
(BGCD085)
Musicians:
Fehér Zsombor - furulya, kaval
Fehér Viktor - gardon, dob
Námor Csaba - kobza
Csarnó Ákos - brácsa
Hajdú Kinga - ének
Guests:
Bobar Zoltan - kontra
Moldvan Zsolt - bongo
Nagy Zsolt - kontra
Szabo Attila - violin
Label - Periferic Records, Hungary
Hailing from Eger, Hungary where they hold their own Tanchaz, Kerekes
has learned much from their 'masters' - Timar
Viktor and Timar Janos from Gyimes, Transylvania.
Initially they concentrated on playing Csango music, but have now extended
their range to include other Hungarian folk music as well as elements of
jazz and blues.
In 2000 they were joined by the singer Hajdu Kinga, who is fast becoming one of
the most popular singers in Eastern Europe today. Kinga appears on many
other recordings including the series Uj
Elo Nepzene - Living Village Music.
'The band was founded in 1995 in Hungary. At the start we played exclusively
Csángó folk music and during that time we had personal contact with our masters.
Viktor Tímár and János Tímár musicians from Gyimes. We play the music exactly as
we've learned from them. After a while we were grabbed by the smashing power of Moldavian folk music and by the energy of Moldavian Dances. In 1997
Csaba Mámor
joined to the group, and he brought his creative skill and original barbarity, which is an important part of Moldavian music.
In 2000 two more members came to the band, namely Ákos Csarnó and Kinga
Hajdú. Our music had a lot of influences
and mixed them with our inspirations we established a special sounding in which we
kept the essence of Moldavian Music. Zsombor Fehér puts together the clearness of
the original folk music and the revolutionary techniques of Jimmy Hendrix.
Csaba
Mámor brings new sound thanks to his experiences with rock music. Viktor Fehér
builds into the Moldavian music the elements of jazz and blues. In harmonies there
are evidences of classical music, but melodies spontaneously contain the possibility of expression.
The concept of the album is the result of some years of dance hall experiences. We have a regular dance hall in Eger since 1997. In the
Kecskés song we borrowed the sound of instruments and modulation from Duke
Ellington: Cotton Club Stomp. The kobza accords of Gergelytánc was inspired by a
musical theory lesson. In Hora Si Sirban we introduce the different styles of
Balkan music. The Erdélyes és Kecskés song caused some scandals on folk
music
festives because of contra. Our first so called Gyimes song has roots from the
most archaical part of Hungarian folk music, and it sounds exactly as we've learned
from our masters, just like the Kettős. The Kerekes which is also the name of our
band is a Gyimes round dance. The Katonás menet is reminds of a military recruiting. We
re-wrote the Rekecsini botosánka for a blues scheme while in Gyedoj there is a sax melody from Wedding of Klézse. We've changed the character of
Félöves és hoina with specially placed half notes. We made wild the Öves és kezes
with full sound kaval. An additional surprise in Ruszászka a brilliant finishing of
a Dave Brubeck song.'
Kerekes Ensemble
GBP 10.79
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Kerekes Ensemble
'Hungarian Folk Music from
Gyimes and Moldva'
(BGCD085)
|